Venturing back into my long-dormant blog, just in time for the new year. I have a tendency to write posts as unedited, rambling drafts and then never actually POST them, so going to make a minor effort to push that Publish Post button.
Up first is a series of pictures taken on the rooftop balcony at SFMOMA in late November. My family journeyed from the damp reaches of Seattle and Portland to visit San Francisco for Thanksgiving, so I had a chance to play host and show off all of the city’s decadent amenities. Naturally we made a go for SFMOMA, that art-deco tower of modern artistic thought. Prior to our museum jaunt, we stopped for coffee and contributed to a letter to my sister’s pen pal, an architecture friend studying at Columbia. We added a pint-sized doodle of a bird’s eye view of San Francisco, with commentary added (“My house”, “HIPSTERS”, “HIPPIES”, etc.) Here is her reply:
Wow, that Gawon sure is a great pen pal. And what lovely handwriting!
After feeling particularly inspired by the celestial Field Conditions exhibit and Chinese paintings depicting the Maoist culture of the 20th century, we snaked up to the top floor for a pause from our arduous standing-and-pondering activities.
As we sat down on a side balcony, the clock nearing 5 pm, the last rays of the day cast a sharply incandescent glow. My family humored me as I went into amateur photog mode, cajoling them to “Stay right there! Now.. scrunch down a bit, yeah.” They both have such warmly amber orbital eyes that I wanted to capture their moment in the sun.
Fire eye’d girl.
It would be too easy to go into cliche-land and compare her ambiguous smile to a certain eyebrow-less Da Vinci, but I am NOT GOING TO GO THERE.
But really, what is she thinking?
Objects (and people, and things) found on the streets of San Francisco and Berkeley; spontaneous moments of whimsy and intrigue. A song for each picture to capture the mood.
“Beware.” Woolsey Street, Berkeley, April 2012. Musical Accompaniment: “What Do You Expect,” El Perro Del Mar.
“Sprouting.” Arguello Street, February 2012. Musical Accompaniment: “Phone Call,” Jon Brion.